The video exclusively uses the onOne Photo 10 suite. Instead I copy the new mask from onOne into Photoshop and use it there. I find that easier to do than using Photoshop’s masking tools, and it’s more flexible than limiting myself to onOne’s suite.
I usually only post videos that I need to use in the future. That means that you won’t see the most common photography and post processing tasks here. Those are easy enough to find via Google.
I say, “Nay. The You Suck at Photoshop series is the actual World’s Craziest Photoshop Tutorial.” Warning: it’s not as family friendly as Glove and Boots. It’s NSFW, and all-that that implies. Here’s the first video in the series:
As I get better at Photoshop, I always go back to the You Suck at Photoshop series, to get a better perspective on how I have improved.
The “Hers” blog Facebook page has a “Posing for one” guide. I think that the negative reader comments are interesting:
The right way to make some one look better ????? In who’s eyes !!! That’s awful I’m sorry but this wrong on so many levels…so thinner arms make the shot better ??? Really come on this is hiding who you really are it’s as bad as photoshop …if you have fat arms or belly or bum so what you don’t look any less sexy ..in fact if you show your flaws and own them with confidence there is nothing more beautiful or sexy than that !!!!fact!!!!
This is silly. People, love yourselves for who you are, not for what you think is the socially acceptable version of beauty.
She looks thin whatever pose she makes cause SHE.IS.THIN
When you put a set of images in front of a subject, which ones do they want? The ones with the better poses. Plus: posing-well is easier, and more accurate, than digital editing.
Here are some posing and portrait guides from Digital Camera World:
It’s quite common for photography writers to write something like, “The human eye… adjusts the colors you see,” whenever discussing white balance. I never encountered one of these articles that also referred to scientific research, and I am unsatisfied with the explanation.
For one thing: it’s not consistent with anything that I learned in physiological psychology or psychophysics regarding vision.
For another thing: it is extremely common for scientific-thinking people to disprove much of what photographers teach.
For another: it’s not consistent with my personal experience, which is more like this:
I don’t believe that my “human eye… adjusts the colours [I] see.” I am very aware of color temperature. I suspect that most photographers develop this awareness, and some people have always had it.
When I am in an environment with soft white light, that’s what I see, but it’s everywhere. It’s even affecting the color of the photos on my wall. If those were white balanced, then the light from the too-warm bulbs is affecting the colors of those photos exactly the same way that it’s affecting everything else in the room, so it’s tolerably similar, but not changed by my eyes.
Some say it’s the “eye” that adjusts, some say it’s in the “brain,” point is, you DO adjust to a “normal” WB. If you’ve been inside with a bunch of tungsten–especially low-light, like in a theater–and then suddenly go outside, the world will be blue-shifted for a few seconds while you adjust.
I make temari (embroidered thread balls), and I’ve got one that’s got a design in blue and three shades of purple. Thing is, in dim light, your eyes will try to convince you it’s red, yellow, green and blue–that you’re just seeing it in a different “white balance” than you really are.
She gives an example of an adjustment here, but I am not convinced it is. To me it looks like an example of becoming aware of the different colors of light, but I am always aware of them, and people that think about light will be too.
The “human eye adjusts” isn’t a scientific explanation, it’s an expectation. Photographers think about white balance this way, because that’s what they have been taught, but in reality, they do see three shades of purple as non-purple, because there’s no real adjusting going on.
That said: adjusting white balance in your image is important, because the colors in your photo are affected by the light that you are viewing it in, exactly as much as every other color that’s in that same light. Your photos won’t look “right”.
On the other hand, by all means: monkey with white balance in order to meet your artistic goals.
Bleached-blue could look white, and bleached-black could look golden-brown.
Each pixel may have a different color, but Photoshop’s color picker can do a 51 x 51 pixel average for us to get a more accurate estimate. In this version of the image, the golden section of the darker-colored stripes’ RGB values are:
On Buzzfeed 68% say “white and gold”, and 32% say “black and blue”.
Monitors are not color calibrated from the factory, so many people are not seeing accurate color.
Was the image white balanced?
We would hope to find white balance information in the image’s EXIF, but it’s not there. So how do we white balance this image? The dress in the background looks white and black. I loaded the image up in Lightroom, and used that assumption to white balance it. If you would like to try this out yourself, here’s how to do it. The black I used is in the lower left corner. We can all agree-that that’s supposed be black: correct? 🙂
Is the image accurately toned?
Lightroom shows us that we might have blown out colors. How do we know that this is real clipping, instead of a false positive? The light has softened the edges of the dress so much that it looks foggy in there. So, yes, this a blown out image. If we were there, then we would have a well-exposed the image, but we weren’t, so we are going to adjust tone to even out the histogram.
So what is our best guess for the color? Black and Blue
Each pixel may have a different color, but Photoshop’s color picker can do a 51 x 51 pixel average for us to get a more accurate estimate.
The lighter colored stripes have a lot of blue:
In other words: blue.
The darker colored stripes RGB values are close to zero:
In other words: black.
A skilled photographer would could set its white balance and its tone. Once we do that, it’s blue and black. Here’s the final word: